Screening
CINEMA 2.0 : Hard Cinema

Stating the Real Sublime

Rosa Barba / Italy / Germany

2009

16mm Film, Modified Celluloid

Suspended from the ceiling by the diaphanous loop of film that spins through its system, casting an anamorphic square of light that stretches across the floor and up the wall. The film it projects has no image, other than the dust scratches that breed on the surface of the celluloid, slowly accumulating over the course of the exhibition. The power cable slumps untidily to the floor beneath the projector in a disorderly coil, as if to contradict the taut rationality of the loops above it, implying the projector is invested with alchemical powers to transform entropy into order unless, of course, it is the other way around.

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