This project is a continuation of previous experimentations which focus on the metaphysical and yet tangible qualities of time. Through a visual representation that is the other extreme of CG, the work portraits time’s power in literally encapsulating space, story and memory. Through this work, one hopes to share one’s belief that the past isn’t a stumbling block but a stepping-stone to the future.

On a street thronged with people, a sightless man gropes along and discovers the difficulty of asking for directions. Some ignore him, some are eager to help. In the world of darkness, sounds are just sounds…

This film introduces the Ng and the Yung families, both long-term residents of Hong Kong public housing. After living 27 years in a one room flat the Ng family will soon move to a new Homeownership flat. They explain how their home has evolved over the years and how they cope with the everyday problems of high-density living. After 14 years of residency, the Yung family are happy in the home they have created, but what is it that makes a space a home?

“Take a break” is what Hong Kong people would say to justify their going abroad for a holiday or having some fun. But a break, a real break, may be…

What kind of psychological preparation do I need to make before I run? Does that mean I need to be ready to speed up, keep going, change, or escape? How would I feel after I get used to it? What would I think of if you ran? How would you feel if I ran? And how would it be if we ran?

Three provincial girls debark in Beijing. Each tries to make her life in the capital. Rebellious and “devil may care”, she dances to forget her heavy past. Under the harsh light of the gaudy neons and through the sketches of their daily marginality, hopes are tainted with mockery.